Hailed at its introduction as a 'holy grail of recording,' by Recording magazine (and adopted worldwide as the largest-selling audio plug-in of all time), Auto-Tune corrects intonation and timing problems in vocals or solo instruments, without distortion or artifacts, while preserving all of the expressive nuance of the original performance - with audio quality so pristine that the only difference between what goes in and what comes out is the intonation and timing. All with a user-interface that is a model of clarity, speed and ease-of-use.
And now, with its new-from-the-ground-up time manipulation capabilities, Auto-Tune 7 represents the most substantial advancement in functionality since Auto-Tune's original introduction in 1997.
For most common pitch problems, Auto-Tune 7's Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch. A Retune Speed control lets you match the retune rate to virtually any performance style as well as create the iconic Auto-Tune Vocal Effect.
For meticulous pitch and time editing, Auto-Tune 7's Graphical Mode displays the performance's detected pitch envelope and allows you to modify pitch and timing with a variety of easy-to-use graphics tools. This mode gives complete control over the correction or modification of the most elaborate pitch and rhythmic gestures.
Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, save that otherwise once-in-a-lifetime performance, or create the Auto-Tune Vocal Effect, Auto-Tune is the overwhelming tool of choice.

Kymorphia Vector Instrument designer and software synthesizer. An advanced yet intuitive application providing a dynamic synthesis model for music instrument and sound effect design using vector curves. By utilizing curve based math, many of the limitations of sample based instruments are solved, while still providing an intuitive interface. This architecture can also morph between waveforms, adding another dimension to audio synthesis. Instruments are formed by a tree of interconnected waveforms which modulate attributes such as time, pitch, volume, balance, and effects. These simple building blocks can be utilized for synthesis primitives such as vibrato, tremolo, free-form envelopes, and oscillators with arbitrary waveforms providing great flexibility in instrument design. There is also a growing list of effects, such as low pass, high pass, and band pass filters. The Alkimiya Demo Edition has some significant synthesis limitations and lacks save support, but still provides a great tool to experience this new open music instrument standard. Purchase the Power Edition to unlock the full potential of this synthesis architecture, limited only by your computer's resources, and start creating your own instruments.